Audio-Technica offers an extensive range of microphones. The AT40 series is among the most well-regarded and is a noticeable step up from the top-rated entry-level AT20 series. In this review, we take a closer look at one of the most well-rounded choices in the series, the AT4050.
Audio-Technica AT4050
Pros
- Superb For Recording Instruments
- Varied Capturing Capabilities
- Multiple Polar Patterns
- Clean And Modern Design
- High-Quality Accessories
Cons
- Lacks Presence In The Top End
RATING SCORECARD
RATING METRIC
OUR RATING
Sound
8
Studio Vocals
8
Live Vocals
6
Instruments
10
Drums
8
Build
8
Design
9
Value
7
AVERAGE
8.0
The Audio-Technica AT4050 is a versatile large condenser microphone with impressive performance across various recording situations. But as with every microphone, there are some finer details you’ll need to consider before handing over your hard-earned money.
Features
The AT4050 from Audio-Technica ticks several boxes. It features high-quality components, solid build quality, accurate sound, versatility, and an excellent range of included extras. But it isn’t without its faults. Let’s get into the nitty-gritty.
Sound Quality
I’ll start things off with the most critical assessment. In this area, the AT4050 shines in several situations, albeit with a couple of minor issues that might make you consider alternatives.
When it comes to recording speech, the AT4050 offers fantastic accuracy and clarity. This is an ideal microphone for voice-over work and podcasting. There is just enough warmth in the tonality to not make it sound dull, but equally, it doesn’t overhype your voice. I especially like the more restrained top-end compared to some other condenser microphones.
Three polar patterns for maximum recording flexibility.
It is worth noting that there is no built-in pop filter, so the AT4050 is susceptible to plosives. So pick up a pop filter or shield if you intend to use this microphone for speech applications.
As for singing, this is where I’ll admit I’m not entirely convinced. I’d had the chance to test a lot of microphones with a variety of vocalists. For me, the AT4050 lacks some of that extra sizzle in the top end that many microphones offer. The lack of brightness worked well for speech but wasn’t quite what I wanted for vocals.
Digging into the frequency response graph highlighted the issue. In Cardioid mode, a nominal bump starts at 5kHz before a slight descent and then a rapid spike as you approach 10kHz. This results in a top-end that I can’t get behind for vocals. Don’t get me wrong, it isn’t bad; it’s just not what I want from a vocal microphone.
“Superb capturing capabilities for a wide range of recording situations.”
The response is similar in Omni mode but more consistent in Figure-8 mode. I want to stress that this does come down to my preferences, and your mileage may vary. If you prefer a more restrained top-end, you’ll likely adore this microphone, and with the right vocalists, I could see myself reaching for the AT4050 without hesitation.
Where I find the AT4050 excelling is when you begin to explore other recording situations. This microphone does a superb job of capturing instruments. Excellent detail and definition across a range of instruments. Each time I threw a different instrument at it, I walked away impressed with the results.
This extends to recording drums as well. Once again, the lack of brightness in the top end might dissuade some people, but I actually liked how it handled snares and cymbals. Its controlled low-end and high SPL rating also makes it a viable choice for kick drums.
The AT4050 is a great choice for voice-over work.
With the flexibility to record in cardioid, omni, and figure-8 patterns, the Audio-Technica AT4050 is also highly versatile. With each pattern, I was able to capture high-quality recordings, though, as always, be aware of your room dynamics, as this can play a huge role in your results.
As an all-rounder, the AT4050 is an excellent choice. Is it the perfect microphone? No, but it performs exceptionally well across a wide range of situations. I know “workhorse” often gets thrown around, but the AT4050 is indeed that. Dependable, versatile, and highly capable.
Specifications
The Audio-Technica AT4050 features a frequency response of 20Hz-18kHz. I’ve already touched on the interesting top-end performance, but it is also worth highlighting the roll-off in the low end. It’s gradual and not as quick to dip as I’ve come across on other microphones.
The AT4050 also features a low-cut filter at 80Hz for added flexibility. It helps with low-end pops and ambient low-frequency noise within your studio space.
High Max SPL for easy recording of loud sources.
The AT4050 features a dual-diaphragm capsule with a relatively large size of 0.84″ (21.4mm) and, as mentioned, offers three polar patterns to choose from via a dedicated switch.
The Max SPL is also high at 149dB, ensuring you can easily capture louder instruments. If you need to go even further, a 10dB Pad extends the reach to 159dB. Ample headroom that will be enough to cover most recording situations.
The self-noise is a little on the high side at 17dB, but for general-purpose applications, it’s totally fine. But if you do want to record ambient noise or whispering, it’s not exactly ideal.
Design
I have nothing but positive words regarding the aesthetic design of the AT4050. This is something that extends to all Audio-Technica products. They have perfected the combination of slick modern styling with functionality.
The smooth black finish is excellent and will ensure that the AT4050 will blend into any studio environment. I like the raised Audio-Technica logo, and the switches are perfectly executed. As for connectivity, the AT4050 features an XLR connection point and requires +48V of phantom power.
Excellent technical and aesthetic design.
While the aesthetic design is superb, the technical design matches and even surpasses it. Audio-Technica has been in the game for a long time, and their expertise in developing high-quality microphones shines through.
High attention to detail to ensure optimum performance across all polar patterns with state-of-the-art surface mount electronics to ensure consistency. Dual-diaphragm designs can present challenges, but it is clear Audio-Technica has nailed the design of this large condenser microphone.
Build Quality
The build quality of the Audio-Technica AT4050 is also exceptional. While I like the quality of the entry-level AT20 series, the AT40 series steps it up a notch to justify its increased price point.
The AT4050 features a pair of 2-micron-thick vapor-deposited gold diaphragms. They employ a five-stage aging process for maximum durability and consistency even after years of use.
High attention to detail and premium components.
The surface mount electronics are top-notch, and the casing and grille match the high quality of the internal components. The included accessories are also up there with the best.
I’ve come across some hastily design and manufactured shock mounts in my days of reviewing microphones, but I have no complaints with the one provided here. The case is also superb, with a smooth finish and dense padding to keep your microphone safe and secure between sessions.
Dimensions
There isn’t much to discuss regarding the physical dimensions of the AT4050. It falls within the range of what you would expect from a large condenser microphone. It isn’t overly long and equally average when it comes to width.
The AT4050 is average in both size and weight.
The slight taper in the body does give it a more slimline feel as you approach the connection point, but by and large, the AT4050 is about as standard as it comes.
As for weight, the Audio-Technica AT4050 is a bit heavier than some microphones but lighter than others. Once again, it falls within the average and offers a good level of heft, making it feel premium without feeling bulky and unwieldy.
Value
High-quality microphones can be expensive, and while the AT4050 is by no means a budget microphone, it also isn’t the most expensive option out there. For the performance it offers, I consider it fantastic value for money. However, if you happen to be strapped for cash, some cheaper alternatives will still deliver excellent results.
The AT4050 comes with an excellent selection of accessories.
The included accessories certainly add to the value proposition. The AT8449 shock mount, in particular, is fantastic and does a great job isolating the microphone and preventing unwanted noise.
The dust cover and carry case are also excellent inclusions. Combine all these elements, and you get a lot of bang for your buck here. Can you get by with a cheaper microphone? Indeed, you can. But is the AT4050 worth the price of admission? A resounding yes.
Customer Reviews
I’ve traveled across the web, and I can see positive reviews for the AT4050 at each turn. After having a chance to test it out, it’s clear why that is the case. Excellent performance at a reasonable price. I also see ample praise for the versatility this microphone offers.
Capture The Room
The AT4050 features the option to utilize an omnidirectional polar pattern. This polar pattern is ideal when you need a microphone to capture sound from all directions equally.
Remember that this pattern is most suitable when recording in a controlled environment with minimal background noise or when capturing ambient sound or a natural room tone is necessary.
Omnidirectional microphones are perfect for capturing room ambiance.
It is ideal for capturing the overall sound of a room, ensemble performances, or when recording multiple sources simultaneously. Also, when using an omnidirectional polar pattern, there is less proximity effect (bass boost when close to the microphone), making it effective for close-miking instruments or vocals.
But while it is fantastic for specific applications, it may not be the best choice in noisy environments or when trying to isolate a specific sound source.
Alternatives
There has never been a greater variety of large condenser microphones to choose from than there is today. Below, I take a quick look at three alternatives to the AT4050.
Mojave Audio MA-50 Review
If you want a slightly cheaper microphone, the Mojave MA-50 is an excellent alternative. Excellent tonality while maintaining high build quality.
- Rich and warm vocal capturing with a dazzling top-end.
- Comes with a superb storage case.
- Doesn’t offer multiple polar patterns.
Lauten Audio LA-320 V2 Review
The latest version of the popular Lauten Audio LA-320 large diaphragm tube condenser microphone is another appealing and flexible microphone worth considering.
- Flexibility to jump between vintage warmth or modern clarity.
- Outstanding build quality from this US-based company.
- Some might not like having to deal with an external PSU.
Soyuz 1973 FET Review
While all the modern bells and whistles are undoubtedly great, there is an element of charm in the aesthetic and technical design of vintage mics, and the Soyuz 1973 FET harnesses the past perfectly.
- Superb sound quality out of the box with excellent dynamics.
- Compact and robust design.
- Doesn’t come with any notable accessories.
Should You Buy?
The Audio-Technica AT4050 is an excellent all-purpose microphone that I can confidently recommend. Mind you, it might not be for everyone, and depending on your needs, there might be better options out there for you.
While I might not be the biggest fan of the sound profile with certain vocalists, there is no escaping just how versatile this microphone is. For instruments, it is among my favorites and equally great for voice-over work. I also appreciate the excellent built quality and modern aesthetics. If you want a dependable and flexible microphone, the AT4050 is worth adding to your studio.